Organ music of the centuries Modern organ music, part two
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Alabama called a jet Montevallo Alabama in cooperation with the National
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Association of educational broadcasters present organ music of the
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sanctuaries and historical recycles series of pipe organ music
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featuring Putnam Porter organist. Today's tape recorded
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broadcast features music written by modern and contemporary composers.
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Music written by Dario Mido Percy Whitlock and Flora Peters
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one of America's Outstanding present day composers is Darrius MIDO.
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Born in France in 1892 Milos studied at the Paris Conservatory
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and in 1919 he was instrumental in forming the famous Parisian
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group of composers known as the six recognized
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composers since 1912 Milos served as a member of the superior
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Council of the French state radio from 1935 until 1940
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and from one thousand thirty seven to 1940. He served as a member of the Paris
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superior Council Conservatory of Music. In
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1940 Mino was made Professor of Composition at Mills College in
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Oakland California a position he still holds. An untiring
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composer. He has written in almost all the idioms of music including several
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scores for the motion picture industry. May knows music is
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characterized by an extremely dissonant style of composing. Among his
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compositions are 15 string quartets 12 operas four
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symphonies six Chamber Orchestra symphonies 15 ballets and numerous
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other compositions. Putnam porter opens this program of organ
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music of the centuries where the deadliest Milos pasta route selection.
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Typical of Milos dissonant style of music.
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One of England's outstanding composers of recent years was Percy
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Whitlock. Who died during the Second World War. Whitlock
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wrote extensively for the organ as well as composing a great deal of choral music for the
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church. Though contemporary and idiom what loks music
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is much more conventional in harmonic structure than that of Darrius midi.
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Organ music of the centuries continuos importer plays one of the selections
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from which Lux Volume 7 sketches for the organ. Which locks past a
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rod based on the twenty third Psalm.
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Contemporary Music has been defined as anti romanticism. A
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reaction against the romanticism of the 19th century is usually understood as a
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departure from the Germanic tradition which held an almost unlimited supremacy
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during the 19th century. Therefore national composers such as
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ski and Russia Busoni in Italy and U.S. and France are credited
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with the Initiative which finally led to the radical break in music occurring during the early
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part of the 20th century. The entire school of French and
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Belgian musicians and composers of the present century have been influenced by the great
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French composer dub you see the founder of the impressionistic school.
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The musical floor Peter Belgium's outstanding organist composer and teacher
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is definitely indicative of the strong influence of the ideas of dub you see. And
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though not strictly an impressionist himself. Peters reflects in his writing. The
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influences and ideas of this school of musical thought. One of the
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devices of contemporary composers is that of reverting to the ecclesiastical
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modes as a basis for their composing rather than using the traditional major and minor
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modes. Flor Peters has used one of the Ecclesiastical modes
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as the basis for his modal suite. Organ music of the
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centuries continues as pop when Paul plays the first two movements from Peter's modal
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suite the Caroll and the Scarecrow.
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A.
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Bottom quarter conclude today's program of organ music of the sanctuaries where the
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last two movements from floor Peters motile swayed. The adagio I'm
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caught up.
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For the past 30 minutes Alabama called a jet model Votto in cooperation with the
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National Association of educational broadcasters.
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This president had organ music of the sanctuary featuring organ.
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Organ music of the century as a series of 26 broadcast
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music written for the pipe organ
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by contemporary composers. Today's paper quoted
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broadcast featured music written by a modern and contemporary composers
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music written by Dario Smith. Percy with lock and floor Peter.
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Barrios Milos Boston Percy with long seven
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sketches for his pasta based on the twenty third song.
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PETERS. This is serious speaking out
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inviting you to join us again so for another program of organ music of the sights.
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This is the end.
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This program has been transcribed using automated software tools, made possible through a collaboration between the American Archive of Public Broadcasting and Pop Up Archive. Please note that no automated transcription is perfect nor is it intended to replace human transcription labor. If you would like to contribute corrections to this transcript, please contact MITH at mith@umd.edu.